Last edited by Malakora
Monday, July 13, 2020 | History

6 edition of The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music) found in the catalog.

The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music)

by Mervyn Cooke

  • 348 Want to read
  • 0 Currently reading

Published by Cambridge University Press .
Written in English

    Subjects:
  • Opera,
  • 20th century,
  • Music/Songbooks,
  • Music,
  • Genres & Styles - Opera,
  • Music / Opera

  • The Physical Object
    FormatPaperback
    Number of Pages424
    ID Numbers
    Open LibraryOL7753710M
    ISBN 100521783933
    ISBN 109780521783934

    Buy The Cambridge Companion to Twentieth-Century Opera by Mervyn Cooke from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £ The Cambridge Companion to Eighteenth-Century Opera Anthony R. DelDonna, Pierpaolo Polzonetti Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source.

      Opera studies is a rapidly expanding field, bringing exciting new perspectives to a brilliant and complex art form. This book will give lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and s: 5.   The Cambridge Companion to Twentieth-Century Opera. Ed. by Mervyn Cooke. The Cambridge Companion to Twentieth-Century Opera. Ed. by Mervyn Cooke., Music and Lacan, or Žižek, the last of whom has written extensively on opera). Consequently, the concept of opera created by the book is mostly one of compositional history embodied in Author: Björn Heile.

      This is like the other cambridge companions: it is not a reference work, is not thorough, is not authoritative nor objective. This is a collection of essays tending toward the highly speculative, each around 50 pages in length. They range from the silly to the ok, and none are very impressive. The cambridge companion series is misleadingly s: 8.   The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music) Mervyn Cooke. out of 5 stars 1. Kindle Edition. $ Next. Editorial Reviews Book Description. Opera studies is a rapidly expanding field, bringing exciting new perspectives to a brilliant and complex art form. This book will give lovers of opera as well Reviews: 5.


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The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music) by Mervyn Cooke Download PDF EPUB FB2

Cambridge Core - Opera - The Cambridge Companion to Twentieth-Century Opera - edited by Mervyn Cooke Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our websites.

The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music) - Kindle edition by Cooke, Mervyn. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music).5/5(1).

The Cambridge Companion to Twentieth-Century Opera - edited by Mervyn Cooke December Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our : John Deathridge.

The Cambridge Companion to Twentieth-Century Opera - edited by Mervyn Cooke December Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our by: 5.

This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a. ‘More books on Wagner. Yes, the cry is still they come.’ Since the first two sentences of a review article in the Musical Times for November (vol ) would not seem out of place in a similar context more than a century later, the reader of this introductory chapter might anticipate a sermon on the text ‘plus ça change, plus c'est la même chose’.Cited by: 2.

The Cambridge Companion to Twentieth-Century Opera - edited by Mervyn Cooke December Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our by: 1.

The Cambridge Companion to Twentieth-Century Opera - edited by Mervyn Cooke December Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our : Philip Weller.

Cambridge University Press, Dec 8, - Music - pages 0 Reviews This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially.

Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.

Available in: ating the extraordinary diversity of operatic achievements in the twentieth century, this Companion brings together the Due to COVID, orders may be delayed.

Thank you for your patience. Book AnnexMembershipEducatorsGift CardsStores & EventsHelpPrice: $ The Cambridge Companion to Twentieth-Century Opera - The Cambridge Companion to Twentieth-Century Opera Edited by Mervyn Cooke Frontmatter More information.

Cambridge. His books include studies of Britten’s Billy Budd and War Requiem (Cambridge. Book Description This Companion celebrates the extraordinary diversity of operatic achievements in the twentieth century by bringing together the work of scholars from both sides of the Atlantic, alongside thought-provoking commentaries on the contemporary operatic scene.5/5(1).

Mervyn Cooke is Professor of Music at the University of Nottingham. He is the author of Jazz, The Chronicle of Jazz, and Britten and the Far East; co-author of Benjamin Britten: Billy Budd; editor of The Cambridge Companion to Benjamin Britten () and The Cambridge Companion to Twentieth-Century Opera (forthcoming) and is currently writing a history of film music for Cambridge University.

He has published several books on Chopin including The Cambridge Companion to Chopin (), as well as books on Szymanowski, late Romantic music, and music of the early twentieth century. Bibliographic information. Title: The Cambridge History of.

Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.

Download list of titles. Other actions. Download list of titles; About Cambridge Companions. This Companion explores the extraordinary diversity of opera in the twentieth century.

The volume includes essays devoted to individual composers, from Debussy to John Adams, avant-garde music theatre, operettas and musicals, and filmed opera, and ends with a provocative discussion of the position of the genre in today's cultural marketplace.

This is the first book to offer a complete introduction to the recorder. Eight contributors from four different countries write on topics such as the recorder and its music through the centuries, the recorder as orchestral instrument, the professional recorder player through history and today, and the phenomenon of the recorder revival.

The Companion also contains basic reference material. The Cambridge Companion to Twentieth-Century Opera. por. Cambridge Companions to Music ¡Gracias por compartir.

Has enviado la siguiente calificación y reseña. Lo publicaremos en nuestro sitio después de haberla revisado. Isaiah Berlin () was a central figure in twentieth-century political thought.

This volume highlights Berlin's significance for contemporary readers, covering not only his writings on liberty and liberalism, the Enlightenment and Romanticism, Russian thinkers and pluralism, but also the implications of his thought for political theory, history, and the social sciences, as well as the Reviews: 3.

This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and : Cambridge University Press.

This Companion provides a comprehensive introduction to the life, music and compositional aesthetic of French composer Maurice Ravel (). Leading international scholars offer a powerful reassessment of this most private and elusive musician, examining his work in detail within its cultural context. Supported by many music examples, the volume explores the full range of /5(2).

The book's first chapter, by Arnold Whittall, focuses on the social position and institutional history of opera, comparing the late nineteenth century with the present, discovering strong similarities in repertoire and social structure, and drawing the conclusion that opera survived into the twenty-first century by preserving the “fundamental qualities which made contemporary opera in the later nineteenth century Author: W.

Anthony Sheppard.